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In music therapy, like in psychotherapy, we have the phenomenon of setting, transference, countertransference and resistance. In both methods, therapeutic contact is included and determines the framework duration of the therapy. The language of music therapy is much less unambiguous and yielding much more possibilities of interpretation than the language of psychotherapy. Both these areas of therapy, however, are intersecting, and it is impossible to delineate a border between them. Further research into the effectiveness of these evolvi
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